JULY STAFF PICKS
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ALICE COLTRANE A Monastic Trio
PRE-ORDER
Collections
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collection Best Sellers
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collection BLUE NOTE CLASSIC VINYL SERIES
BLUE NOTE CLASSIC VINYL SERIES
High-quality, affordable reissues of Blue Note's classic recordings, mastered by Kevin Gray
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collection EXCLUSIVE COLOUR VINYL
EXCLUSIVE COLOUR VINYL
Special edition coloured vinyl, available only on a very limited number of online stores
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collection ACOUSTIC SOUNDS
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collection TONE POET SERIES
TONE POET SERIES
Sought-after Blue Note releases produced by Joe Harley, pressed by legendary RTI
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collection Best Of Back In Stock
Best Of Back In Stock
The Everything Jazz selection of sought-after albums in-stock and ready to ship!
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collection Verve By Request
Verve By Request
Hand selected vinyl reissues, newly re-mastered and pressed on 180g vinyl at Third Man Pressing
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collection Women Of Jazz
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collection Crate Digging
Stories
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Meshell Ndegeocello – No More Water
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Frank Sinatra's Best Collaborations
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How Sun Ra got on Impulse!
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Louis Armstrong - For the Fans
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James Baldwin's Jazz Gospel
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The EJ Staff Picks for this season
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Buying Guide: New Into Jazz
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Five Great Partnerships in Jazz
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Nduduzo Makhathini - The Spirituality of Sound
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The Living Legacy of Jazz Flute
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Oliver Nelson: The Blues and The Abstract Truth
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Louis Armstrong Lives On
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Arooj Aftab: Night Reign
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Stewarding the Catalogue – Jamie Krents & Verve Records
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Continuing the Legacy – Don Was & Blue Note Records
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Rudy Van Gelder - His Best Live Jazz Recordings
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Blue Lab Beats: Blue Eclipse
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How Jazz Went Mod
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Tone: How the guitar found its Jazz Voice
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Sonny Rollins: A Night At The Village Vanguard
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Joe Henderson - Blue Note’s multifaceted tenor master
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5 Jams That Will Make You Love Shabaka Hutchings
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Melissa Aldana: The Solitary Seeker
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The Divine One - Sarah Vaughan at 100
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Alice Coltrane: The Artist in Ascension
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Nina Simone’s “Mississippi Goddam” at 60
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Ella Sings The Blues: Let No Man Write My Epitaph
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Jackie McLean - Action
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Jacob Collier – Jazz Messiah?
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Great Women of Song - Carmen McRae
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Joel Ross: nublues and the quest for true improvisation
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Alain Goraguer: A Cult Classic Soundtrack
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Lee Morgan - Search For The New Land
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Nina Simone – Nina's Back
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Joining the Bops 3/3 - Post Bop
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Joining the Bops 2/3 - Hard Bop
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Joining the Bops 1/3 - Bebop
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Charles Lloyd - Sacred Thread
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Elvin Jones – Poly-Currents
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Mingus Mingus Mingus Mingus Mingus
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Oscar Peterson and the Civil Rights Movement
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Bobby Hutcherson's “San Francisco” – bridging bop and fusion
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Coltrane live at Birdland: More than a concert album
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The Hammond B-3 at Blue Note
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Oscar Peterson - Master Pianist, Prolific Composer
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Our Albums Of The Year 2023 (1/3)
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Christmas with Gregory Porter & Samara Joy
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Duke Pearson - The Phantom
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Jamie Cullum: Twenty years after Twentysomething
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Beyond the Backline - Percussionists claim centre stage on these five classic jazz albums.
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Cassandra Wilson - Blue Light 'til Dawn
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Verve by Request - Curating Rarities, Unearthing Treasure
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When they are singing and playing from the same hymn sheet
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Andrew Hill's Point of Departure is still light years ahead
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Ancestral Echoes: Nduduzo Makhathini’s In The Spirit Of Ntu
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Art Blakey and the Jazz Messengers - Mosaic
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Art Deco: Don Cherry Returns to His Roots
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Jackie McLean's Demon's Dance
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Karma: Pharoah Sanders’ Spiritual Jazz Classic
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The Heart and Soul of Wayne Shorter’s “Night Dreamer”
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Cautious Clay seeks to redefine what jazz can entail
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True Blue: The legacy of Tina Brooks
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How George Butler took Blue Note Records Sky High
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5 jaw-dropping DOMi & JD BECK moments
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The Cannonball Adderley Quintet in Chicago
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Chris Botti: Loosening Up
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Joshua Redman: This Land Is Your Land
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A Conversation with Johnathan Blake
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Roy Haynes Quartet - Out of the Afternoon
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Blossom Dearie: The Maverick with the Soft Voice
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Irreversible Entanglements: Creating Statements of Magic
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Harold López-Nussa: Bridging Musical Traditions Through His Piano
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How to Be Free: The Essential Albums to Get Into Free Jazz
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Out to Lunch: Eric Dolphy’s avant-garde masterpiece
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Lakecia Benjamin on Evenings At The Village Gate
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The Soul of Miss Simone
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Sitting in with John Coltrane
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Robert Glasper and Madlib: The Rebirth of Slick
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Meshell Ndegeocello doesn’t play jazz – she writes Black American music
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There’s more to Astrud Gilberto than the Girl From Ipanema
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Ahmad Impresses Me
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When Norah Jones met Danger Mouse